Sonata, musical composition for one or more instruments. In the classical sense, the term refers to a work for piano solo or for a string or spiritual instrument with a piano, consisting of several independent parts. The plan of the composite multi-part sonata and the restriction in the use of the term to only solo works were formed in the second half of the 18th century.
The word “sonata” is often also used in the term “sonata form”: in this case it refers not to a multi-part work, but to the formal structure of one part of the sonata. The sonata form is also found in symphonies, concerts, trios, quartets, quintets, even in overtures, etc. Continue reading
Overture (from French ouverture, introduction) in music is an instrumental (usually an orchestral) play performed before the start of any performance – a theater performance, opera, ballet, motion picture, etc., or a one-part orchestra piece, often owned to program music.
Overture prepares the listener for the upcoming action.
The tradition of announcing the beginning of the performance with a short musical signal existed long before the term “overture” was entrenched in the works of first French and then other European composers of the 17th century. Until the middle of the 18th century Overtures were composed according to strictly defined Continue reading
Impressionism (French: impressionnisme, from impression – impression), the direction in art of the last third of the XIX – beginning of XX centuries.
The application of the term “impressionism” to music is largely arbitrary – musical impressionism does not constitute a direct analogy to impressionism in painting and does not coincide chronologically with it (its heyday was the 90s of the XIX century and the 1st decade of the XX century).
Impressionism arose in France when a group of artists – C. Monet, C. Pissarro, A. Sis-Lei, E. Degas, O. Renoir and others – made their original paintings at Parisian exhibitions of the 70s. Their art sharply differed from Continue reading